October 9, 2017
In British author Rayne’s engrossing second mystery featuring London music researcher Phineas Fox (after Death Notes), Phin agrees to help his neighbor, Toby Tallis, search for Arabella Tallis, Toby’s cousin, after she fails to show up one evening for a party. At Arabella’s flat, Toby is surprised to spot a small portrait belonging to his and Arabella’s godfather, Stefan Cain, a refugee who came to England from Europe after WWII. The musicologist in Phin is instantly drawn to the portrait, which is of Stefan’s long-dead older sister, Christa Klein, holding some sheet music, and the puzzle that it presents. A second, more sinister plot line focuses on a dysfunctional brother and sister duo, Marcus and Margot Mander, who are searching for a lost inheritance and have a connection to Christa. Flashbacks to Nazi Germany shed light on Stefan and Christa’s history. How the various narrative threads converge in the shadow of a menacing castle in the remote German countryside will keep the reader guessing to the end. Agent: Jane Conway-Gordon, Jane Conway-Gordon Ltd. (U.K.).
October 1, 2017
A missing girl leads ghostbuster Phineas Fox to nefarious activity near the start of World War II.Phin is at a neighborhood party when his host, Toby Tallis, confesses concern about his cousin Arabella, who sent an e-mail saying she was looking forward to the party but hasn't shown up. Calls to her go directly to voicemail. The duo visits her flat in Pimlico, where Toby is disturbed to find a 1940s portrait of a woman named Christa Klein, whose beauty haunts Phin but whose nefarious activities ruined the Tallis family. Arabella isn't there, but Phin and Toby find a note from her godfather, Stefan Cain, who's Christa's brother. Siblings Margot and Marcus Mander have grown up "surrounded by [the] hatred" produced by Christa, who they believe murdered their father. Christa's story goes back to Germany in 1939, where she was a child enjoined by her mother, Giselle Klein, to protect Stefan, her younger brother. As the Nazis encroach on them, the family attempts to find a refuge at Gothic Wewelsberg Castle, the reported location of Mander Senior's murder. Rayne's narrative weaves three strands together: the story of the Klein family and Christa's supposed crime; Phin's parallel investigation of the phantom Christa, who has enchanted him; and the eerie tale of siblings Margot and Marcus, whose relationship has degenerated into a sad codependency under the shadow of Christa's alleged crime. All of which is not to forget the missing Arabella.The second installment of the series (Death Notes, 2017, etc.) at first presents a murky, multilayered picture but masterfully draws out the suspense by progressively revealing the underlying truths.
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November 1, 2017
In the second Phineas Fox mystery, after Death Notes (2017), Phin's friend is worried about his cousin, who had been eager to attend a party but, uncharacteristically, didn't show up. Phin, a researcher by profession (he works mainly with writers and filmmakers), has only recently solved a devilishly complicated historical mystery, so figuring out why a woman has disappeared doesn't seem all that daunting a task. But a decades-old painting, which may be connected to the woman's disappearance, leads Phin to make a startling discovery that will launch him into a historical mystery that could be even more labyrinthine than his first case. As in Death Notes, and Rayne's Nell West series, the writing is crisp and compelling, and the mystery is cleverly constructed, with planted clues and key information being dispensed in small portions. It's a crime novel that requires close attention, and readers who enjoy sniffing out clues and trying to solve the mystery before the solution is revealed will have a fine time.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)
October 1, 2018
In the third Phineas Fox mystery, the professional music historian and researcher is asked to resolve a debate concerning the provenance of an opera scheduled to be performed at Cresacre Abbey School in honor of the school's bicentennial. There is a concern that the opera might have been plagiarized from an earlier work; resolving the debate takes Fox deep into the school's history, where he uncovers a 200-year-old mystery that will challenge his sleuthing skills like no other mystery has. The Phineas Fox novels are markedly different from the author's popular Nell West and Michael Flint Haunted House series. Phineas is a more nuanced character than Nell and Michael; we sense there are many layers of his personality and life yet to be revealed. Equally important, the mix of music and history provides a refreshing backdrop to Fox's amateur sleuthing. This series started strong and keeps getting stronger.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)
September 3, 2018
Rayne’s entertaining third outing for London-based musicologist Phineas Fox (after 2017’s Chord of Evil) takes Phin and his friend Arabella Tallis to Cresacre School, formerly Cresacre Convent. Arabella is helping to plan a celebration of the school’s bicentenary. There’s only one snag: wealthy Olivia Tulliver is insisting that an opera—based loosely on the mysterious disappearance of some of the convent’s nuns at the end of the 18th century—by her late uncle Gustav, who was once the school’s head teacher, be performed during the festivities. If not, Olivia threatens to reduce funding for the Tulliver Scholarship. Adding breadth to the intrigue are excerpts from the vivid diary of Sister Cecilia, who was one of the nuns who vanished, and episodes in the eventful life of young Gina Chandos, who’s targeted by a seducer in 1794. Each narrative thread raises questions about the nuns’ fate that keep the reader guessing. Fans of erudite mysteries with a musical slant are in for a treat. Agent: Jane Conway-Gordon, Jane Conway-Gordon Ltd. (U.K.).
September 1, 2018
A school celebration is shadowed by a 200-year-old mystery. Can a noted ghostbuster unravel it?Cresacre School may be tempting fate by building its bicentenary around an unsolved mystery: the disappearance of a group of nuns from the school, then called Cresacre Convent, centuries ago. Not coincidentally, the event is organized by alumna Arabella Tallis, who's also the ladylove of music historian and sometime psychic investigator Phineas Fox (Chord of Evil, 2017, etc.). Diary entries from the 1790s interspersed with the present-day narrative show the piano prodigy Gina Chandos becoming the amorous target of predatory music master Cesare Chimaera. The school is now haunted by Ginevra, a ghost who's the subject of much mystery and even more speculation. Ginevra's also the subject of an opera written by Gustav Tulliver, whose niece Olivia was a classmate of Arabella's and who's now pressing the school to make the opera's performance a centerpiece of the celebration. The school's leaders aren't wild about the idea even though the decidedly dotty Olivia has been a generous donor. They'd be even less enthusiastic if they knew about Olivia's dark secret. Back when she was a student, Olivia brought her frenemy Imogen, a potential opera performer on whom Gustav had romantic designs, to rehearse with him in his basement studio and help him finish the opera. In the middle of a sudden argument, Olivia killed Imogen. As Gina's relationship with Chimaera advances, Phin takes the measure of the strong-willed Olivia and proceeds accordingly.Rayne's third psychic mystery is less atmospheric but more volatile and unpredictable than her other work, with colorful characters and an inexorable threat of violence under the surface.
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