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The #1 New York Times bestselling Lucas Davenport novel from John Sandford.
Two people are found hanging naked from a tree in the woods of northern Minnesota. What makes the situation particularly sensitive is the bodies are of a black man and a white woman. Lynching is the word everyone’s trying not to say, but as Lucas Davenport begins to discover, the murders are not at all what they appear to be. And there is worse to come—much, much worse.
“All but impossible to put down.”—The Washington Post
“Fast paced and full of surprises, this may be Sandford’s best novel yet.”—Library Journal
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    • Publisher's Weekly

      Starred review from April 14, 2003
      Sandford gets back to basics in this stellar 14th installment of his hugely popular Prey series, focusing on the long-standing duo of Davenport and Capslock. As the novel begins, the indomitable Lucas Davenport (now happily married, a contented father and bored out of his mind) is slogging through the northern tundra of Broderick, Minn., to inspect the naked dangling corpses of a white woman and black man ("They were frozen. Like Popsicles.") that have shocked the locals as well as Minnesota's governor with the ugly specter of a lynching. Davenport, now more or less a free agent for the state's Bureau of Criminal Apprehension ("I kick people's asses"), is unleashed by the governor, giving Davenport and his scruffy sidekick, Del Capslock, a chance to escape their square city lives and catch the villain(s) while staving off the media vultures, Sandford's trademark subplot. As in previous novels, the original crime (rendered in a truly horrific opening sequence) is merely the gateway to a deeper, more insidious criminal enterprise, this one an international labyrinth of stolen cars, drugs, gambling and kidnapping. Some truly vicious familial machinations in the small town contrast well with Davenport's staid and stable home life. Another pleasant surprise is the precocious Letty West, whose awakening teenage sensibilities make an impression on Davenport. Sandford's usual background details (readers will learn how to run a muskrat trapline and how an Indian casino operates) are deftly woven into the fabric. This latest installment in a series now a decade and a half old is vintage Sandford. (May 12)Forecast:It's a safe bet that this top-notch effort—issued in a 500,000 first printing, and a main selection of the Literary Guild, Mystery Guild and BOMC—will hit number one. 21-city author tour; audio rights to Recorded Books.

    • AudioFile Magazine
      In a gravelly voice, Eric Conger narrates the grisly opening of this story of evil. Troubleshooting cop Lucas Davenport rides into town to solve the mystery of a double killing and finds himself with a lot more to contend with. The small town is so mired in a car-thieving, drug-smuggling, kidnapping ring that even the law-enforcement officials are involved. Conger satisfies the listener with his characterizations of tough-guy cops, sniveling criminals, and the innocent, daring young woman wisecracking through it all. The abridged version is a great alternative for those who want to hear the story without the gruesome details. D.L.M. (c) AudioFile 2004, Portland, Maine
    • AudioFile Magazine
      Kudos to this publisher, which so far hasn't tampered with this winning author/narrator combination. When you start another Lucas Davenport mystery, it's like visiting old friends--Sandford and Ferrone, that is. This fourteenth "Prey" thriller begins with a blow-by-blow description of the lynching of two stark naked victims by an unknown assailant. Richard Ferrone makes his voice sound so evil you can just about experience the atrocity firsthand. And when more bodies turn up, the narrator has you so on edge you hardly notice the unnecessary pauses that might otherwise detract. Even after 14, Sandford hasn't lost his touch--and neither has Ferrone. A.L.H. (c) AudioFile 2003, Portland, Maine

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